In A World Undone,Nicholas Mangan tackles the big issues of our time with a formidable intelligence but with a dry sense of aesthetics.
Where the works of William Kentridge only asks questions,the Sydney Biennale provides ready-made answers.
Bendigo Art Gallery’s collaboration with the Musee Carnavalet embraces the romance of Paris’ Belle Epoque.
Personal identity is explored through pure poetry at the 18th Adelaide Biennial of Australian Art.
Saudi Arabia’s second Diriyah Contemporary Art Biennale features more than 170 works by 92 artists from 43 countries.
With million-dollar sales and uber galleries in force,this year’s Art Basel Hong Kong felt like old times.
Dubai owes everything to trade and finance,yet its art fair is less nakedly mercantile than any fair of comparable size.
Australian architect and multimedia artist Liam Young presents a visionary scheme for a city which would allow the rest of earth to regenerate.
MONA’s first-ever exhibition of exclusively “old” art,radiates inventiveness and spiritual conviction.
There’s a celebratory atmosphere about much of the work,particularly at the new venue of White Bay Power Station.
Fairy Tales in Art and Film opens up a vast,problematic box of toys.