Jacki Weaver and Anna Torv in<i>Secret City</i>.

Jacki Weaver and Anna Torv inSecret City.

The ABC'sThe Code started down this path two years ago,andSecret City goes further by focusing on the Australian Signals Directorate (ASD),the intelligence agency tasked with signals intelligence and information security. The ASD contributes to surveillance programs such as Echelon and secure networks with names no screenwriter will ever dare invent,such as Stone Ghost,and on the show its actions are a reminder that Australia possesses more complex codes than Julie Bishop's emojis.

One of the key characters pursuing the crucial data,Kim Gordon (Damon Herriman),is a senior ASD analyst and Harriet's former husband. Kim is a transgender woman,andSecret City acknowledges her transition without pausing for qualifying speeches. A good thriller needs more than police raids and menacing Chinese spies,and the emotional resonance inSecret City comes from the enduring closeness between the former couple.

When they argue,it's a lacerating confrontation between two people who know each other intimately,torn between Harriet's desire to break stories and Kim's belief in the big picture of national security. Harriet knows when Kim is lying,and also when she's in love with an ASIO agent,Charles Dancer (Alex Dimitriades),and for Harriet to investigate what Kim learns means investigating her own marriage.

Torv,best known for the US science-fiction seriesFringe,gives Harriet a purposeful air that tips easily into the obsessive."Human interest is for journos interested in humans. I do politicians,"she tells her bureau chief. Torv's heroine,who takes her pleasure with a younger lover but eschews his hope for romance,is thankfully afforded the flaws common to her male predecessors.

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Emma Freeman's direction,knitted together by Canberra atmospherics,keeps away from the soap opera dynamics of the easy US comparison,House of Cards,while capturing the triumphant malevolence of Jacki Weaver's Attorney-General and Labor powerbroker,Catriona Bailey,who views a national emergency as the perfect chance to push through laws reducing civil liberties. Someone just needed to punch up the character's swearing,because it's not suitably swingeing enough.

The middle episodes open out the plot,revealing multiple strands and allowing characters such as Mal Paxton,whose past involves a compromise with China that extends to a current day relationship with the Chinese ambassador's wife,Weng Meigu (Eugenia Yuan),to become more nuanced. Dan Wyllie,last seen as a ruminative crim in Stan'sNo Activity,has a natural likeability that upends easy perceptions and it's well used here.

The waySecret City holds up different angles of Wyllie's politician recalls the cracking 2003 BBC seriesState of Play,which mastered the twist of building a singular,intensely focused mood even as the plot grew labyrinthine. What it also has is a contemporary edge;watching ASD officers confiscate smart phones before a funeral service,you're reminded that national security really is a matter of life and death.

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