Director Blazey Best reimagines Andrew Lloyd Webber’s one woman 1970s show,honouring its original setting.
From the playwright behind The Whale comes another exploration of male vulnerability – this time via a bond formed through fatherhood issues.
Irish actor Olwen Fouéré and Australia’s Hugo Weaving command the stage in Sydney Theatre Company’s first time co-production with Dublin’s Gate Theatre.
As songstress Conway looks back on 40 years as a performer,it becomes clear the music is only the beginning.
This Brisbane show is filthy one instance,elegiac and poetic the next – Chariots of Fire meets the frat house.
Our reviewers give their verdict on acts all over town from the No Pay,No Way,Carmen,Chris Isaak and Grease.
Shake and Stir’s adaptation of Dahl’s fruitful adventure is an ideal holiday distraction.
Listeners were dazzled with the dizzying accuracy of Vikingur Olafsson’s fast hand-crossing,which was made far more perilous on a modern piano.
Farewell Lady Autumn at La Mama is inspired by the life of Qiu Jin,who was executed after being implicated in a failed assassination plot.
‘Gluttony:A Play in Three Courses’ offers an immersive performance as part of Melbourne’s Food&Wine Festival. Don’t worry,your only participation requirement is enjoying the food.
A safe program is a dull program. You get exceptional shows by pushing at boundaries – the price of that,however,is that occasionally one will fall flat.