The zany,raw,warts-and-all Life in Plastic follows Whelan Browne’s own journey from the irrepressible awkwardness of girlhood to stardom.
A performance at a mystery location and a show that takes true crime to its limits – read our ever-growing list of reviews here.
From a dinner party with a difference to a cup of tea with a stranger,this year’s Fringe is in full swing. Read our ever-growing list of reviews here.
To say Rodrigo’s first Australian tour was anticipated is an understatement:some eager fans had been camping out at Rod Laver Arena since the weekend.
From a live soap opera complete with snacks to a celebration of tomatoes,this year’s Fringe is in full swing. Read our ever-growing list of reviews here.
With Études and Circle Electric,The Australian Ballet is bringing together the new with the classical. Separately,they work. Together,less so.
In its exploration of two different relationships,the Pulitzer-winning play Cost of Living is truly great theatre.
The first full-length narrative production commissioned by The Australian Ballet in more than 20 years is a stunning all-round achievement.
With a theme leaning so heavily on music,it’s not a surprise The Children’s Bach was adapted into an opera – but does it keep its magic when taken off the page?
Directed by Bert LaBonte in his mainstage directorial debut,the Pulitzer Prize-winning Topdog/Underdog at Melbourne Theatre Company is utterly transfixing.
It would appear that&Juliet has been pipped at the post by Six the Musical for the poppiest show ever inspired by the 16th century.