Janne Kearney raised a family and worked in a paint shop while dreaming of making art. Then she turned 43 and came to a decision. She hasn’t looked back.
The Read is a collaboration between Amrita Hepi and Tilly Lawless which looks to explore the link between art and erotic power.
A new production of Jane Harrison’s The Visitors by Sydney Theatre Company closes on referendum day,but the timing is coincidental.
The “Grace Slick and the Janis Joplin of the theatre world”,iOTA and Paul Capsis,reunite to take on Eugene Ionesco’s absurdist classic,The Chairs.
Bananaland is the latest project from the husband-and-wife team who wrote the songs for Muriel’s Wedding the Musical,and opens at Brisbane Festival next month.
Flamenco is steeped in history and superstition. Pepa Molina honed her craft in the caves at Sacromonte and is smashing tradition with her new show.
A new musical making its Australian premiere this month demonstrates director Dean Drieberg’s commitment to diverse on the stage and behind the scenes.
Suzie Miller returns to the stage with a new work,Jailbaby,aiming to stir our consciences over an Australian “state-sanctioned torture”.
Pinchgut Opera’s new production of Giovanni Legrenzi’s Giustino is like Lord of the Rings - but with sea monsters and a battle with a bear.
The star of Love Me brings the experiences of many women in her own life to play Clara in the beloved Melbourne-set series.
In Living – an adaptation of a classic Japanese film centred on a doomed bureaucrat – the award-winning novelist has turned his hand to screenwriting.