Her response is to re-record and re-release Taylor’s Versions of the albums,reclaiming ownership of her music – and also giving nostalgia-hungry fans a chance to stroll down memory lane.
2008’s country-pop albumFearless is the first to get the treatment,with all 19 tracks from the original platinum edition,plusToday was a Fairytale,re-recorded,alongside six unreleased tracks “from the vault”. There are few surprises with these new versions – they are faithful renditions of the original tracks,though Swift’s voice has matured over the years,producing a fuller tone.
Attentive listeners will notice subtle differences in production and execution – there are idiosyncrasies in Swift’s delivery,which is to be expected,given that no two performances will ever be identical,especially if they’re 13 years apart. There’s a lusher sound to a lot of the instrumentation,too – fan favouriteYou Belong With Me sounds especially robust.
Swift was 18 whenFearless was released,so thematically,these songs speak to a different part of her life. The close adherence to the source material means that no lyrics have been updated,including those that are a little archaic (onFifteen,she sings of her best friend losing her virginity,“Abigail gave everything she had to a boy who changed his mind” – not exactly a feminist sentiment).
There’s something sentimental about hearing these songs again,though,especially given the journey the artist herself has been through.Fearless was Swift’s thrust into the spotlight – since then,she’s reinvented herself a number of times. She’s gone from being constantly pilloried in the tabloid press for her dating life to a much more private personal existence;musically,her work has evolved from country to pop to indie folk. Going back to the earnest simplicity of her teenage emotions and acoustic-led compositions feels like a breath out.