The swirling,crystal-trimmed Gucci gowns worn by Michelle Williams (in cream),andOzark’s Julia Garner (in pink) could have appeared in the 1935 Busby Berkeley movieGold Diggers of 1935or at a Paris Hilton party during the global financial crisis.
Award-winner Michelle Yeoh’s strapless gown with a pouf peplum from Armani glittered like a chandelier in a midnight blue sky,eclipsed by fellow trophy-hugger Angela Bassett’s halter-neck dress embellished with disco ball fever by designer Pamella Roland.
The metres of fabric gathered in the skirts of Lily James’ strapless red Versace gown harked back to Christian Dior’s excessive New Look which shocked those struggling in post-war France.
In past years the dopamine approach ofThe Crown’s Elizabeth Debicki and Anya Taylor-Joy,in bursts of pink and yellow from Dior,would have been enough to generate excitement,but in belt-tightening times it takes more to score a fashion high.
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All that glitters isn’t always gold,as demonstrated by Heidi Klum in an embellished mini-dress with purple feathers and flesh fabric panels failing in their nude illusion mission.
Australian actor Milly Alcock fromHouse of the Dragontook a stealth wealth approach in a black Givenchy dress with a plunging sweetheart neckline and just enough silver details to deliver that red carpet rush.Knives Out actor Ana de Armas also flirted with gothcore restraint in a strapless black Louis Vuitton dress with lattice embellishment,reminiscent of a medieval tunic.