Last year’s best new artist Olivia Rodrigo is here to present this year’s trophy,and it goes to Samara Joy,a Bronx-born jazz singer who I’m sure you know so much about.

I mean,it could’ve been Maneskin. This is probably way better.

Coldplay’s Chris Martin,looking like he just finished doing some busking outside,announces the winner for record of the year - and it’s another upset. It goes to Lizzo forAbout Damn Time.

I mean,I don’t think anyone’s complaining,but I don’t think even Lizzo’s grandparents would’ve picked it.

“This is so unexpected,” she says,before dedicating the award to Prince and the power of positive music. “Stay true to yourself because I promise you will attract people who will believe in you and support you.”

She also told Beyonce “you changed my life”,and shared a story about skipping class to see the singer perform live.

“You clearly are the artist of our lives.”

I don’t know why we even pretend to understand the Grammys.

It’s taken a while,including countless shots of Ben Affleck looking like JLo dragged him to her nephew’s christening,but we’re finally at the important awards.

America’s First Lady Jill Biden is tasked with announcing the winner of the song of the year,and it goes to Bonnie Raitt forJust Like That. Even Bonnie Raitt doesn’t understand what’s happening.

“I’m so surprised,I don’t know what to say,” the 73-year-old says. It’s a song about organ donation,she explains,which was inspired by her late friend John Prine.

The blues and country great has a history of political activism,dating back to anti-Vietnam and anti-nuclear anthems when she started back in the ’70s.

“I don’t write a lot of songs,but I’m so pleased you appreciate this one,” she adds.

I know mainstream American country music gets a bad rap,but c’mon,this jangly number from country superstar Luke Combs makes me wanna put on some blue jeans,fill up the tank in my Toyota Corolla,and drive down the south coast blasting Kix FM. You can’t beat a fiddle and a drawl,and lyrics about trains/whiskey.

While we wait for the last couple of awards to be announced,here’s a stunning photo of Harry Styles on stage belting out his nominated trackAs It Was.

The silver,tinsel-y number is much more fun than the rainbow jumpsuit,according to our in-house Grammys brains trust.

The Rock is here talking about his favourite songs and his own horrible vocal chops,and includes a sly nod to all theMoana stans out there[puts hand up]. He’s introducing the Grammy for best vocal pop solo performance and it goes to Adele.

She thanks her son Angelo,her partner Rich Paul (aka Lebron’s agent),and then gets bleeped out heavily because she’s Adele.

LL Cool J has presented a “global impact award” to Dr Dre,an award that shall henceforth bear his name.

The whole thing segued into Questlove’s tribute to the 50th anniversary of hip-hop,which leaned heavily on the pioneers. It was a veritable retirement home of rappers - I say this with affection.

There was LL,Run DMC,Salt n Pepa,Rakim,Chuck D and Flav,Posdnous of De La Soul,Scarface of the Geto Boys,Ice T,Queen Latifah doing U.N.I.T.Y,and I don’t think we’re even at 1993 by this point.

Then there’s Method Man,Busta Rhymes and Missy Elliott bringing us into the new millennium,and even Shania Twain is on her feet.

Questlove has gone all out - then we’ve got Nelly doingHot in Herre,Too Short doingBlow the Whistle,Jadakiss and Styles P doingWe Gon Make It,and all of a sudden we’re at today with Glorilla doing FnF and Lil Uzi Vert on stage with his Naruto haircut doing his new Jersey Club anthemJust Wanna Rock. I feel like I’m at RnB Superclub and I love it.

“Multigenerational hip-hop!” yells LL when the whole thing ends,which is also something I yell at my kids.