This peculiarly Australian tendency partly explains why theSam Kerr controversy has become loaded with so much meaning. For here is a sporting icon seen to personify 21st century Australia. Her Indian heritage reflects this polyglot nation’s rich multiculturalism. Her engagement to the US soccer star Kristie Mewis speaks of the country’s growing live-and-let-live social liberalism. The fact that she overcame her calf injury in last year’s World Cup to score the wonder-goal of the tournament – and in the semi-final against England,no less – demonstrated fortitude in the face of adversity,and elevated her from a metaphorical pedestal to a more monumental plinth.
In terms of female empowerment,she was central to the “Matildas effect”,a cultural phenomenon every bit as powerful in Australia as the “Barbie effect” was worldwide. Small wonder that Anthony Albanese asked her to carry the flag at the coronation of King Charles,an invitation,endearingly,that initially shethought of turning down because of a scheduling clash with her commitments for Chelsea.
Small wonder,as well,that every twist and turn of the legal case in London – which late this week saw herlegal team ask the Metropolitan Police to provide security camera footage from a London police station in preparation for her defence – receives such forensic focus.
“Sport is a prime metaphor for Australian life,” Robert Hughes once noted,adding,“and because of it,many of our heroes (we don’t have a lot) are sportsmen and women.”
Yet the need to characterise the nation in a single character,to see the universal in the individual,extends beyond the football pitch,cricket oval or swimming pool. The very fact that there is an Australian of the Year underscores how the question of national identity has become so unusually personalised. Britain or America has no equivalent.
Often I recall the first story I covered after becoming the BBC’s Australia correspondent back in 2006. Steve Irwin had been killed by a stingray,and his dead body almost instantly became a proxy battleground in the culture wars. To his admirers,the “Crocodile Hunter” personified Australia. To his detractors,however,he was a cartoonish parody. Thus,Irwin became even larger in death than he was in life. To a newcomer,it seemed extraordinary,and exceptional,that an individual was freighted with so much national meaning.